by Winston Graham (2002)
I did it! I have read all twelve Poldark novels. I posted about the first one, Ross Poldark, almost exactly one year ago, on February 4, 2020 (Vicki and I were still watching the TV series in reruns) and have slowly read them all, interspersed with more serious fare, over the past year and throughout the pandemic lockdown.
The last in the series consists of five books. Graham is clearly trying to tie up all the loose ends with this book, but it is also different from the previous eleven novels because it is part murder mystery/thriller. There is a serial killer on the loose in 19th-century Cornwall. The first murder is that of Mary Polmesk, a maid at the Warleggan residence of Cardew; it occurs in Book One (Valentine), Chapter 9. The second, in Book Two (Agneta), is that of Agneta Treneglos, the mentally handicapped daughter of one of the Poldarks’ neighbors, who happens to be having an ill-considered affair with Valentine, who immediately comes under suspicion. Also, in Book Two, Chapter 9, Demelza is walking home at night when she hears someone following her. She calls out, but the only response is silence and the smell of cigar smoke. Not really wanting to believe herself in danger, she nevertheless runs to the mine and asks for an escort home. Then in Book Three (Maurice), Chapter 5, an attempt is made on the life of miner’s daughter Jane Heligan, who fights back and manages to escape. At this point, my suspicions centered on Captain Philip Prideaux, one of Clowance’s two suitors. Captain Prideaux is known to have killed a person during a mental breakdown following the Battle of Waterloo; he still struggles with bouts of rage. Also, like Valentine, he fits what descriptions we have of the killer. But in Book Five (Bella), we discover who the killer really is, as he terrorizes Demelza in her own parlor. No spoiler, other than that help arrives in time. So that whole plot thread is totally different from anything we have seen before in the series.
Other than the serial killer thread, we have, in Book One (Valentine): Valentine’s deteriorating marriage to Selena Pope, his sordid affair with the mentally handicapped Agneta Treneglos, and sixteen-year-old Bella’s plan to go to London to study voice, motivated by her own irrepressible love of singing and the encouragement of her boyfriend, Christopher Havergal. At a theatrical performance, Clowance sees Lord Edward Fitzmaurice, who had proposed marriage to her when she was still single; she had turned him down in favor of Stephen Carrington, but he seems to be still very interested in her.
In Book Two (Agneta), Valentine has tired of Agneta and wants to be rid of her, but she refuses to be put off, showing up at inconvenient times at Place House, where he lives with his increasingly jealous and angry wife, who takes their toddler son, Georgie to live apart. Valentine adopts a baby ape (either a gorilla or a chimpanzee; it’s never really clear to me), which he names Butto. Agneta runs away from home and is later found murdered. Meanwhile, Capt. Prideaux visits Clowance, who is grappling with ambivalent feelings about her dead husband. We find out that Christopher Havergal has a drinking problem, and Maurice Valery, conductor of a small theater in Rouen, urges Bella to go to France to sing in a brand-new opera by Mr. Rossini, The Barber of Seville.
In Book Three (Maurice), Philip Prideaux proposes marriage to Clowance, but she can’t make up her mind. George Warleggan falls into an abandoned mineshaft and almost dies; he will spend much of the remainder of the book out of action. Bella and Christopher have a falling-out over his consorting with prostitutes. He has to leave London for work, and Bella takes this opportunity to go to Rouen with Maurice, slipping out of Mrs. Pelham’s (Caroline Enys’ aunt, who has lodged her and taken care of her in London) house and falsely reassuring her parents that she will be well-chaperoned and that others in her London troupe will be with her. Bad girl!
Still, Bella’s operatic debut is a huge success in Book Four, and she lets herself be seduced by Maurice. Two days later, Ross shows up unannounced to see her perform and is suitably impressed, but takes her home when the run is over. Maurice declares to Ross that he loves Bella and would like to marry her, to which Ross replies that he encourages all of his children to choose their own partners. (I wonder: just how unusual was this at the time?) On the way, Bella’s throat begins to be sore; this turns out to be diphtheria, the dreaded disease that killed the Poldarks’ first-born child, Julia, and almost killed Demelza herself. Bella survives, but her voice (her “instrument”) appears to be permanently changed. Clowance makes her decision and weds Lord Edward Fitzmaurice, whose suit she rejected earlier in favor of Steven Carrington. Edward is such a nice person that I think every reader probably cheers for him; at the same time, we all (including Clowance) feel bad for Philip Prideaux, the loser in this case. Graham suggests that Prideaux might find happiness with Jeremy’s widow, Cuby, but does not resolve that particular issue, leaving it to the reader to decide.
In Book Five, Maurice and Christopher fight over Bella. The killer stalks Demelza, who is rescued. Valentine kidnaps his toddler son Georgie from the house where his estranged wife is living. While she is gone, Place House has become a den of gambling, drinking, and sex; Butto, now apparently full-grown and potentially dangerous, is kept under the house in a kind of cellar. In a climactic scene, Selena returns with George and a few others to demand that Valentine give Georgie back; Ross, invited by Valentine, also shows up. Butto, bored and lonely, breaks out of his prison and accidentally starts a fire. Valentine rescues Georgie and all the people in the house move to safety, but he goes back to find Butto; Ross, unsurprisingly and completely in character, follows him in to save him. One survives, but the other does not. Bella’s ruined singing career is replaced by a theatrical one, as she understudies the role of Juliet in a knock-off production of Shakespeare’s play and then ends up taking the place of Romeo, to great acclaim.
I may have gotten confused as to what happened in which book. As you can see, there was a lot going on. Kind of like a three-ring circus.
I feel both relieved and disappointed to have finally reached the end of the Poldark saga. It was educational; I learned a lot I didn’t know about life, mining, and politics in Britain in the late 18th and early19th centuries, as well as about the French Revolution and the Napoleonic Wars, the invention of the steam engine, and much more. I followed the ups and downs, tragedies and triumphs of the Poldark family, especially Ross and Demelza, as I came to know and love them as more than just characters in a story. I cannot say whether their struggles and joys were typical of the time, but why not? Technology changes, politics changes, cultures change, but people are just people, no matter when or where they live.
The twelve Poldark novels, in order, with links to my blog posts:
- Ross Poldark (1945)
- Demelza (1946)
- Jeremy Poldark (1950)
- Warleggan (1953)
- The Black Moon (1973)
- The Four Swans (1976)
- The Angry Tide (1978)
- The Stranger from the Sea (1981)
- The Miller’s Dance (1982)
- The Loving Cup (1984)
- The Twisted Sword (1990)
- Bella Poldark (2002)